Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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COXCIE, Michiel van
Original Sin sdg

ID: 06215

COXCIE, Michiel van Original Sin sdg
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COXCIE, Michiel van Original Sin sdg


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COXCIE, Michiel van

Flemish Northern Renaissance Painter, 1499-1592  Related Paintings of COXCIE, Michiel van :. | The Torture of St George dfg | The Circumcision of Christ (detail) g | Original Sin sdg | syndafallet | Saint Cecilia dfg |
Related Artists:
Ludwig Ferdinand Schnorr von Carolsfeld
painted Three Marys at the Tomb of Christ in 1835
johan zacharias blackstadiusblackstadius
seated female model december1842. royal academy of fine arts
LONGHI, Pietro
Italian Rococo Era Painter, ca.1702-1785 Painter and draughtsman. His father, Alessandro Falca, encouraged his natural talent for drawing, and he studied under Antonio Balestra for 'several years', according to his son, Alessandro Longhi. Balestra probably took Pietro to Bologna and recommended him to Giuseppe Maria Crespi. No documents exist on Longhi until 1732, the year he married, and some doubt has been expressed about his study with Crespi. There is no trace of Crespi's influence in Longhi's altarpiece for the parish church of S Pellegrino in Bologna, St Pellegrino Condemned to Death, installed in 1732; Crespi's style is an intimate one, however, and would have been inappropriate for such a large altarpiece. One of Longhi's first independent works, the St Pellegrino altarpiece recalls his Venetian origins and training in its broken brushwork and colour glazes. In another early work, the Adoration of the Magi (Venice, Scuola Grande S Giovanni Evangelista), documented in 1733 as at S Maria Materdomini, Venice, the subject-matter lends itself to a more domestic treatment, and Crespi's influence is evident. Both these works contain passages anticipating Longhi's subsequent development as a genre painter; in each picture a boy or young man, perhaps a self-portrait, gazes out at the spectator, unconcerned with events in the painting.






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